Sex / Male Lauri Astala (b. 1958) graduated from the Art Institute of Chicago (MFA), lives and works in Helsinki. His works related to the status of concepts and experiences, as well as the cultural structures. His early 90's works (sculptures and installations) considered grolux the cognitive relation of images. The early 2000s, since his works are comprised of video installations and videos that deal with experience of space mm. by placing the viewer "," stage "," concrete part of the work. Astala grolux has participated in numerous international exhibitions and video festivals. Recent solo exhibition at the Helsinki Art Museum, 2010. Astalalle granted State Art Award 2007. Press A_N1033_L.jpg Book List Small spectacle of the encounter (2010) Gamelan (2010) Seeing (2008) My happiness is round (2007) Rome dérive I (2006) Rome dérive II (2006) Small Spectacle kuvankaltaisuudesta (2005) Small Spectacle of lightness (2005) grolux a small vicinity grolux of the spectacle (2005) Small Spectacle attained, (2003) As Though Time Was All Around (2002)
For more information and a preview of this book may be levityspäälliköltä. Original title / name of the piece of Seeing English / Apropos of Seeing Type / Genre Installation / Installation, Study on time and space time / 0:00:00 graduation / 2008 Workgroup / Lauri Astala (Author) Press Press photo 1 Press photo Press photo 2 3 4 Press photo pressikuva grolux 5 6 Press photo
Computer-aided video installation The film, in which the embedded real-time camera images, lighting, grolux wall and screen structures, installation of Seeing the projected image using a computer connected to each other previously grolux described in the rest of the film material, and real-time video viewer mode (gallery / exhibition space). In this way the viewer is integrated visually into a cinematic narrative. grolux He sees himself actually inside the movie, as an actor in the film. The usual to present the illusion of the film. It describes the material grolux world is absent. Seeing-installation aims to break this cinematic 'black cube' reality in which their role is limited to the external or passive observer. What is the installation the viewer-viewed them, in fact, considers: the movie, itself, has his eyes ...? Where he is: the gallery or museum, the Roman palace, the virtual space of the film ...? The installation makes visible the viewer 'here-and-now' of reality in relation to 'another time and place' taking grolux place, enhanced by images and movies are traditionally presented. Installation structure viewer experiences the work in the exhibition space built through the door opening. The hole is the same size and shape as a Roman palace, where the actual film material is described. Real-time video cameras are installed in the exhibition space accurately so that when the viewer looks at himself in the film, his eyes seem to be the doorway on the other side of the standing actor (the artist himself). Lighting, materials, and real-time camera angles are chosen so that the corridor of the palace of the Roman state, and exhibit space appear as one, seamless ongoing farm. Selected artists
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