The Greek Theatre 2010: ten reasonable doubt | the fall of Orpheus inter luminaire
After carefully observing inter luminaire the festival program this year regarding Greek theater, I have a few more or less reasonable doubt (or not). I will try to list them below and, needless to say, leave the door open to possible debate
1) What good is the quality of young playwrights T6 (such as the author of the work written in the last comment, Pere Riera) if the big summer festival in the city ignores this young drama systematically ?
4) Why classical drama in the twentieth century as Lunch House of Wittgenstein, Thomas Bernhard, or the lesson, Ionesco, directed and performed by Catalan (Bernhard and the text is even a Greek festival production !) are productions in Spanish? Why another classic twentieth century as First Love, by Samuel Beckett, is a version of n'escull Sanchis Sinisterra ... and translated into Catalan?
5) Regarding the cultures guest-year plays Japan, is there meant to organize events inter luminaire with face and eyes, that is, an introspection cultural shift toward culture analyzed / displayed from multidisciplinary aspects (exhibitions , talks, food, music, cinema, audiovisual media in general ... and all over the city), or rather is intended to make a "Fantastic Week El Corte Inglés-touch-this-week-theater-Japanese"?
6) Why when the door or cover versions Anglo theater we always went to the Fringe? Well, I guess it must be worth it to pretend that CSR or any production or the Almeida inter luminaire London Irish Abbey does exhibit some of his productions to our city ... But beyond that, there are new British drama that does not necessarily go for the Fringe and never appear here either. And for the record I admire the freshness of many Fringe productions, but here, if it takes one company invited, always program the same kind of drama, as if it "were" British theater and this is not so.
7) Speaking of Anglo When we consistently forget their contemporary drama has determined that both the European scene at the turn of the century? Where then are the / Alan Ayckbourn, Caryl Churchill, Sarah Kane, Mark Ravenhill and David Hare, among others? And this year, there were no, there is not the typical summer Shakespeare (although, given the levels of Shakespeares tend to be represented at the festival, this absence is perhaps more a virtue!)
9) Why is there such a passion for programming Eduardo de Filippo (author fun, but not much else), and so therefore not a program once Molière's face and eyes, for example, the master of comedy and more solid than the Neapolitan dramatúrgicament talking?
10) And last and perhaps most important inter luminaire of the ten questions that I discuss: why this festival follows the trend pastiche / collage and, again, do not know (or do not want) to collate a certain type of theater program that awards the festival inter luminaire in its own stamp of European festivals of theater?
The sense, then, every year, more or less odds and ends, it ends up being always the same: this is a display of more socialism Barcelona par excellence, ie, a mixture without inter luminaire any global idea or transcendent, inter luminaire is the theatrical version design and Barcelona "beautiful" and "multiculti" that have sociates Almost hidden in the imagination of locals over the past three decades: a beautiful inter luminaire wrapper, a great fire of shavings, a brilliant bottle of cava, a Once the foam is gone, the actual content of the glass contains just two fingers of liquid.
And, after all, if you want to enjoy art and design with denomination of origin, with roots in the social and historical inter luminaire vicissitudes (the craving, really) of a city, it touches us no choice but to leave the city of Bread & Butter, Antonio Miró and Custo Dalmau climbing rapidly towards Berlin. As for the theater, inter luminaire three quarters of it: once analyzed Galdos Greek theater program this year, we approached us quickly on the computer and book the first ticket to Edinburgh if you want to save 'this sea of uncertainty that has lasted too long, summer after summer, making your stay in our city of wonders!
> In theater there is not as much as I understand you, but Barcelona is the cultural world of extreme poverty is confirmed inter luminaire each time you move a little to other countries. In most cases the political criteria through on the art of making it so obvious embarrassment. Hopefully one day this will change, but I'm not very optimistic in this regard. Greetings!
> I agree with some things, but not everything. I flee pessimism and pen
After carefully observing inter luminaire the festival program this year regarding Greek theater, I have a few more or less reasonable doubt (or not). I will try to list them below and, needless to say, leave the door open to possible debate
1) What good is the quality of young playwrights T6 (such as the author of the work written in the last comment, Pere Riera) if the big summer festival in the city ignores this young drama systematically ?
4) Why classical drama in the twentieth century as Lunch House of Wittgenstein, Thomas Bernhard, or the lesson, Ionesco, directed and performed by Catalan (Bernhard and the text is even a Greek festival production !) are productions in Spanish? Why another classic twentieth century as First Love, by Samuel Beckett, is a version of n'escull Sanchis Sinisterra ... and translated into Catalan?
5) Regarding the cultures guest-year plays Japan, is there meant to organize events inter luminaire with face and eyes, that is, an introspection cultural shift toward culture analyzed / displayed from multidisciplinary aspects (exhibitions , talks, food, music, cinema, audiovisual media in general ... and all over the city), or rather is intended to make a "Fantastic Week El Corte Inglés-touch-this-week-theater-Japanese"?
6) Why when the door or cover versions Anglo theater we always went to the Fringe? Well, I guess it must be worth it to pretend that CSR or any production or the Almeida inter luminaire London Irish Abbey does exhibit some of his productions to our city ... But beyond that, there are new British drama that does not necessarily go for the Fringe and never appear here either. And for the record I admire the freshness of many Fringe productions, but here, if it takes one company invited, always program the same kind of drama, as if it "were" British theater and this is not so.
7) Speaking of Anglo When we consistently forget their contemporary drama has determined that both the European scene at the turn of the century? Where then are the / Alan Ayckbourn, Caryl Churchill, Sarah Kane, Mark Ravenhill and David Hare, among others? And this year, there were no, there is not the typical summer Shakespeare (although, given the levels of Shakespeares tend to be represented at the festival, this absence is perhaps more a virtue!)
9) Why is there such a passion for programming Eduardo de Filippo (author fun, but not much else), and so therefore not a program once Molière's face and eyes, for example, the master of comedy and more solid than the Neapolitan dramatúrgicament talking?
10) And last and perhaps most important inter luminaire of the ten questions that I discuss: why this festival follows the trend pastiche / collage and, again, do not know (or do not want) to collate a certain type of theater program that awards the festival inter luminaire in its own stamp of European festivals of theater?
The sense, then, every year, more or less odds and ends, it ends up being always the same: this is a display of more socialism Barcelona par excellence, ie, a mixture without inter luminaire any global idea or transcendent, inter luminaire is the theatrical version design and Barcelona "beautiful" and "multiculti" that have sociates Almost hidden in the imagination of locals over the past three decades: a beautiful inter luminaire wrapper, a great fire of shavings, a brilliant bottle of cava, a Once the foam is gone, the actual content of the glass contains just two fingers of liquid.
And, after all, if you want to enjoy art and design with denomination of origin, with roots in the social and historical inter luminaire vicissitudes (the craving, really) of a city, it touches us no choice but to leave the city of Bread & Butter, Antonio Miró and Custo Dalmau climbing rapidly towards Berlin. As for the theater, inter luminaire three quarters of it: once analyzed Galdos Greek theater program this year, we approached us quickly on the computer and book the first ticket to Edinburgh if you want to save 'this sea of uncertainty that has lasted too long, summer after summer, making your stay in our city of wonders!
> In theater there is not as much as I understand you, but Barcelona is the cultural world of extreme poverty is confirmed inter luminaire each time you move a little to other countries. In most cases the political criteria through on the art of making it so obvious embarrassment. Hopefully one day this will change, but I'm not very optimistic in this regard. Greetings!
> I agree with some things, but not everything. I flee pessimism and pen
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